观念的水位——从音乐学到民族音乐学

Water Level of Concept--from Music to Ethnomusicology

观念是学科理论的核心问题,观照学科观念的变迁,即是在对学科发展取向的不同阶段加以回顾反思。观念既是人为的社会认知构建,同时也是以实践方式运用于理论之中,新观念出现并不意味着简单的进化和继替,而是更为复杂的并存共生。民族音乐学的学科主旨历经了从科学观念到文化观念再到历史观念的更迭,学科范畴则经历了从乐音艺术到声音艺术再到音声艺术的扩展,音乐知识体系经过了从被解构到被阐释再到被结构的整合。这段历程通过学术的观念折射出人们意识到人类整体性存在、自身存在以及自身局限,并试图通过扩大学科边界、增加学科交叉点,来解决或缓解某些音乐现象和社会事实的价值消亡问题。

Concept is the core issue of discipline theory.To observe the change of discipline concept is to review and reflect on the different stages of discipline development.Concept is not only the construction of artificial social cognition,but also the extraction and verification of theory applied in practice.The emergence of new ideas does not mean simple evolution and succession,but more complex coexistence.The subject theme of ethnomusicology has experienced the change from scientific concept to cultural concept and then to historical concept.The discipline category has experienced the expansion from music art to sound art.The music knowledge system has experienced the integration from deconstruction,interpretation,and structure.This process reflects people's awareness of the holistic existence of human beings,their own existence and their own limitations through academic concepts,and tries to solve or alleviate the value extinction of some music phenomena and social facts by expanding the disciplinary boundaries and increasing the interdisciplinary points.