王世贞的诗、书、画相通说

A Study on Wang Shizhen's Theory of Mutual Relationship between Poetry,Calligraphy and Paintings from the Perspective of Image Thought

王世贞于诗、书、画的创作与鉴赏都有所得,在此基础上,他从意象思想角度关注到了诗、书、画的相通之处。从体用关系来看,书画重具象之体,诗文重意义之用;从创作来看,王世贞认为三者之间在取法对象、创作方法上虽有不同,但是能够共通,互相借鉴;从品评来看,王世贞在鉴赏过程中,经常将三者并举,三者有着共通的审美标准,即“古雅”、“有意无意”、圆融的审美境界以及“象外意”的回味无穷。王世贞从意象思想角度入手,讨论诗书画的相通之处,显出了他对不同艺术门类认识之深刻。

Wang Shizhen made great contributions to the creation and appreciation of poetry,calligraphy and painting.On this basis,he paid attention to the similarities among poetry,calligraphy and painting from the perspective of image thought.From the point of view of the relationship between body and function,painting and calligraphy emphasize the body of concrete,poetry and prose emphasize the use of meaning;From the perspective of creation,Wang Shizhen thought that although there are differences in the objects of drawing methods and creative methods,the three can share and learn from each other.Judging from the comments,Wang Shizhen often combined the three in the process of appreciation,and the three have a common aesthetic standard,that is,"ancient elegance","intentional or unintentional",the aesthetic realm of harmony and the aftertaste of"image-implied meaning"are endless.Wang Shizhen discusses the similarities of poetry,calligraphy and painting from the perspective of image thought,which shows his profound understanding of different art categories.