摘要
为系统地补充布堆绣文化的理论研究,从陕北民间美术造型体系的承袭关系入手,全面梳理延川布堆绣文字性研究成果与图片资料,将布堆绣造型观的表征划分为时空观、意形观、阴阳观、情趣观等4类。并依次从价值观念、审美观念、思维方式等3方面入手,分析布堆绣造型观所呈现的区域心态文化及折射出的文化内涵。为延川布堆绣的传承、保护、文化创新及设计创新提供理论依据与灵感源泉。
As a reflection of social life and the thoughts and feelings of creators,Yanchuan cloth pile embroidery is a kind of folk art with great characteristics.Starting with the inheritance of the folk art modeling system in northern Shaanxi,by comprehensively sorting out the research achievements of Yanchuan cloth pile embroidery and the work materials,the representation of cloth pile embroidery modeling concept is divided into four categories:time-space view,ideology view,yin-yang view,erotic view.Starting from the three aspects of value,aesthetics and thinking mode in turn,it explores the regional mentality culture represented by the representation of cloth pile embroidery and the cultural connotation reflected.This research is a systematic supplement to the theoretical research on cloth pile embroidery culture,and it also lays a theoretical foundation for further exploration of its artistic characteristics and modeling laws.It also provides the theoretical basis and source of inspiration for the inheritance and protection of Yanchuan cloth pile embroidery,cultural innovation and design innovation.
作者
张继文
ZHANG Jiwen(School of New Media Art,Xi’an Polytechnic University,Xi’an 710048,China)
出处
《纺织高校基础科学学报》
CAS
2020年第4期78-84,共7页
Basic Sciences Journal of Textile Universities
基金
陕西省教育厅专项科研计划项目(17JK0314)。
关键词
延川布堆绣
造型观
民间美术
心态文化
Yanchuan cloth pile embroidery
modeling concept
folk art
mentality culture