摘要
现代学界普遍认为,鼓吹乐起源于北方的游牧民族,是汉代生活娱乐及仪仗行进中以吹奏乐器和打击乐器为主要配置形式的重要音乐合奏形式。伴随着全国范围内鼓吹乐的发展,大庆鼓吹艺人的艺术技能也随着鼓吹乐从产生、成型、发展、繁盛、变革到继续发展而产生着一定范围上的再丰富。文章通过对大庆民间鼓吹艺人的表演形式、民俗活动中的仪式性艺能及鼓吹艺人的音乐构成三方面梳理,是进行鼓吹艺人“艺能”文化内涵阐释的基础,亦是大庆鼓吹艺人“艺能”研究工作的前提。
It is generally believed in the modem academic circles that the drum music originated from the nomadic people in the north,and it is an important music ensemble form with the main configuration of wind instrument and percussion instrument in the life entertainment and honor guard of Han Dynasty.With the development of advocacy music in the whole country,the artistic skills of Daqing's advocacy artists are enriched to a certain extent with the development of advocacy music from generation,shaping,development,prosperity,transformation to continuous development.This paper analyzes the performance form,ritual artistic energy in folk activities and music composition of Daqing folk propagandists,which is the basis of interpreting the cultural connotation of"artistic energy"of the propagandists,and also the foreword of the research work of"artistic energy"of Daqing propagandists.
作者
杜洋
DU Yang(Northeast Petroleum University,Daqing Heilongjiang 163318)
出处
《山东农业工程学院学报》
2020年第11期150-153,共4页
The Journal of Shandong Agriculture and Engineering University
基金
青年项目,黑龙江省哲学社会科学研究规划项目,项目批准号:19YSC179。