摘要
蒲松龄《聊斋志异》多述神鬼之事,他们对人类表明其异类身份的情节在多处文本段落中都有出现,这种基于身份进行的“一问一答”的剖白模式在蒲翁的笔下非常常见,在情感上是异类对人类的交托,在情节安排上则更像是一种程序性的设置与表达,将故事的走向引导进预设好的结局框架之内。神与鬼之间也有分别,这在《云萝公主》中有较为明显的体现,“代人剖白”昭示出的是人神之间难以跨越的鸿沟。
Pu Songling’s LiaoZhaiZhiYi often talks about ghosts and spirits,the plot in which they revealed their identities to humans occurred in most of the passages.This mode of“question and answer”based on both of their identities is very common in his writing.Emotionally,it was their commitment to human being.But on the plot arrangement,it was more like a procedural setting and expression,which led the direction of the story into the preset ending framework.There were also differences between spirits and ghosts,and was evident in Yunluo Gongzhu.“Answer by others”showed the gulf between human and spirits.
作者
李奥
LI Ao(College of College of Literature and Journalism,Sichuan University,Chengdu610225,China)
出处
《沈阳工程学院学报(社会科学版)》
2021年第1期13-18,88,共7页
Journal of Shenyang Institute of Engineering:Social Science
关键词
《聊斋志异》
异类剖白
问答
情感交互
LiaoZhaiZhiYi
question and answer
reveal identity
Emotional interaction