摘要
地方重塑的讨论和现代性息息相关,从本雅明关于迈入现代性城市之后的巴黎城市碎片考古的研究出发,丽水中山街的改造跳出常规的整体性规划模式,转而专注城市碎片空间,以当地的传统乡村风雨亭作为空间原型,结合公共艺术对传统文化进行转译,完成了一系列的容纳公共艺术的口袋空间。这是一次以地方重塑为目的的公共艺术实验。
The discussion of place remaking is closely linked to modernity.Based on Walter Benjamin’s research on urban debris of Paris after entering modern age,the remodeling project of Zhongshan St.Lishui turned from conventional mode of total planning to the places of urban debris.The rural wind&rain pavilion is used as an archetype,joined by public art that reinterprets and transforms traditional cultural symbols,so as to complete the so-called pocket space as a set of public art containers.This is a public art experiment on place remaking.
出处
《公共艺术》
2020年第5期72-77,共6页
Public Art
基金
文化部文化艺术研究项目资助,编号为17DG31。