论杨一清四入陕西及其边塞书写的意义

Discussion on Yang Yiqing’s Four Times of Entering Shaanxi Province and the Significance of His Frontier Fortress Writing

出身馆阁的杨一清把台阁文学中的禁体诗创作和联句唱和风气注入陕西藩臬唱和之中,边塞风物也赋予杨一清诗歌以新面貌,改变着其书写形态。特别是二次入陕以来,杨一清以政治家的格局写西北风物与边地战事,视野恢宏而“意气健畅”。这种边塞书写是明中叶明蒙战局深化的逻辑结果,促成了杨一清诗歌在题材与风格上的重要转进,影响了以李梦阳为代表的文学复古运动的创作趋势。杨一清从馆阁唱和向边塞书写的转向,展现了明中叶文学的发展趋势与内在逻辑。文学创作的重点逐渐从台阁体趋向文学复古运动,从中央文学趋向地方文学,从馆阁唱和趋向江山朔漠的广阔天地。

Yang Yiqing,whose identity is Guange,has injected the forbidden poetry creation and couplet singing style in Taige literature into the creation of Shaanxi Province.However,the frontier customs also gave Yang Yiqing a new look and changed its writing form.Especially since his second visit to Shaanxi,Yang Yiqing wrote about the northwest scenery and border warfare in the pattern of politicians,with a broad vision and“vigorous spirit”.This kind of writing of frontier fortress was the logical result of the deepening of the war between Ming and Mongolia in the middle of Ming Dynasty,which promoted the important transformation of Yang Yiqing’s poems in themes and styles,and also affects the creative trend of literary retro-movement represented by Li Mengyang.Yang Yiqing’s shift shows the development trend and internal logic of literature in the middle of the Ming Dynasty.The focus of literary creation has gradually shifted from Taige style to literature retro movement,from central literature to local literature,from Guange singing to broad world of mountains and rivers.