青主音乐思想初探

A Probe into Qing Zhu’s Musical Thoughts

五四运动后,西方浪漫主义和表现主义音乐美学开始影响近代中国,音乐理论家青主便深受其影响。青主一生致力于音乐美学相关问题的研究,是中国历史上第一个向音乐本体发问的音乐理论家。综观青主的音乐美学论著,他对于"什么是音乐"有着独特见解。他认为"音乐是上界的语言",是直接表"情"的;认为音乐具有世界性,"国乐"不必分为中西。青主还提倡学习西方音乐,反对抱残守缺,主张吸收各民族音乐的精华。就其历史价值来看,青主对音乐本质的阐述具有创新精神和进步意义。

After the May 4 th Movement,Western romanticism and expressionist music aesthetics began to affect modern China,and the music theorist Qing Zhu was deeply influenced by it.Qing Zhu devoted all his life to the study of related issues regarding music aesthetics,and was the first music theorist in Chinese history to ask questions about music itself.Looking at Qing Zhu’s works on music aesthetics,it is found that he has a unique view on"what is music".He believes that"music is the language of the world",which directly expresses one’s"emotion";and that traditional Chinese music is universal,which belongs to people of the whole world.Qing Zhu also advocates the study of western music,opposes standing still and refusing to make progress,and advocates absorbing the essence of various national music.In terms of its historical value,Qing Zhu’s position on the essence of music is of innovative and progressive significance.