摘要
建筑应在满足物质性的基础上,体现其精神性。该史迹陈列馆项目位于有着深厚历史积淀和精神内涵的区域:广州市黄花岗公园,这为建筑精神性的创造提供了契机。设计伊始,从对基地条件的解读切入,形成了建筑的初步形体意向;与此同时,通过对黄花岗公园的史料研读,提炼出"宁为玉碎,不为瓦全"的设计理念,再以建筑的语言将这一理念物化展示出来;丰富的形体为空间的利用创造了更多可能,合理的功能布置和流线规划使建筑的物质性与精神性相平衡。
Architecture should reflect spirituality on the basis of satisfying materiality.This historical exhibition hall project is located in Huanghuagang Park,Guangzhou,has a profound historical accumulation and spiritual connotation,which provides an opportunity for the creation of spirituality.At the beginning of the design,from the interpretation of the site condition,the preliminary shape intention was formed.At the same time,through the study of the historical materials of Huanghuagang Park,the design concept of"Better a broken jade than a complete tile"was extracted,and then show this concept in architectural language.The changeable form creates more possibilities for the use of space,and reasonable functional layout and streamlined planning can balance the materiality and spirituality of this design.
作者
李子昂
程建军
Li Zi'ang;Cheng Jianjun(不详)
出处
《华中建筑》
2021年第1期41-46,共6页
Huazhong Architecture
关键词
建筑设计
展览建筑
文化建筑
保护规划
黄花岗
Architectural design
Exhibition architecture
Cultural architecture
Cultural relic protection
Huanghuagang Park