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重构·深描·交融——“一带一路”背景下傣族题材电影发展现状研究

Reconstruction,Deep Description and Integration——On the Development of Dai Ethnic Films under the Background of"One Belt One Road"
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摘要 傣族电影以其数量之盛,在云南乃至中国少数民族电影史上占据着重要的地位。傣族题材电影在新中国成立之后,先后历经了探索期、发展期和沉寂期,传统的傣族电影以反映傣族人民的神话传说、风土人情为主,因受时代局限性,其题材在一定程度上具有相对的闭锁性,对傣族人民生产生活的刻画上流于表面化,未能深入地发掘地方少数民族群体的特殊性以及少数民族群体在时代背景中个体命运的普遍性。新时代以来,随着习近平总书记“一带一路”倡导的展开,党和国家对边疆少数民族的深入关注,傣族题材电影古树萌芽。2013年以来,《傣乡童话》《飘落的羽毛》《刀安仁》《米花之味》的相继完成,他们在主题建构与人物刻画上冲破了以往的桎梏,书写了“一带一路”背景下傣族题材电影对群体和个体生存意义的发掘,对交流与融合的文化建构,以及对过去的追溯和对未来的时代展望。其中《米花之味》荣获了平遥国际电影节最受欢迎影片奖,并提名第74届威尼斯电影节。相信,随着“一带一路”的不断深入开展,傣族电影以及中国少数民族题材电影定会蓬勃兴盛。 The Dai films plays an important role in the history of Yunnan and even in the history of Chinese minority films.After the establishment of new China,the Dai films have gone through exploration,development and silence periods.The traditional Dai films mainly reflect the myths,legends and customs of the Dai people.Due to the limitations of the times,their themes are relatively closed to a certain extent.Their depictions of the production and life of the Dai people are superficial,and these films failed to explore the local minority in depth,the particularity of ethnic groups and the universality of individual destiny of ethnic groups under the background of the times."The Belt and Road"initiative has been advocated and launched by the general secretary of Xi,and the Party and state have paid close attention to the minority nationalities in the new century.Since 2013,the films:Falling Feathers,Dao Anren and The Smell of Rice Flowers have been released.They have broken through the fetters of the past in the theme construction and characterization,and have explored the meaning of the Dai nationality theme films in the context of"One belt,One road",the cultural construction of communication and integration,retrospect of the past and expectation of the future.Among the movies,The Smell of Rice Flowers won the most popular film award of Pingyao International Film Festival,and was nominated the 74th Venice Film Festival.I have faith in that China's movies will continue to flourish with"One belt,One road"going forward.
作者 李念章 LI Nian-zhang
机构地区 云南艺术学院
出处 《民族艺林》 2020年第3期105-111,共7页 Journal of Ethnic Art
关键词 一带一路 傣族电影 发展现状 "One Belt,One Road" Dai nationality movies development status quo
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