摘要
传统鱼纹是流传最为久远的纹样之一,鱼纹的主要表现形式鱼藻纹在河姆渡时期便出现了,至宋鱼藻纹才开始风靡全国并流传千年。通过采集宋代鱼藻纹陶器相关的文献和图片资料,挖掘其中蕴藏的宋代造物思想。其中"观象制器"、"道法自然"和"天人合一"的造物思想对现代设计的造型及审美、产品中情感诉求的表达有着重要的启示作用,同时也为中华优秀文化的应用与传播推波助澜。
The traditional fish pattern is one of the oldest patterns.The main form of fish pattern,fish-algal-pattern,appeared in the Hemudu period,but it was not until the Song Dynasty that the fish-algal-pattern became popular in China for around a thousand years.In this paper,by collecting the documents and pictures related to the fish-algal-pattern on pottery in the Song Dynasty,it studies the Song dynasty creation thought contained therein.Among them,the creation thought of making implements form nature,Dao following nature and harmony of human and nature have an important enlightening effect on the modeling of modern design,aesthetics and expression of emotional appeal in products,and also contribute to the application and dissemination of excellent Chinese culture.
作者
张祥泉
张梦渝
ZHANG Xiangquan;Zhang Mengyu(Hangzhou Dianzi University,310018 Hangzhou)
出处
《设计艺术研究》
2020年第6期111-113,共3页
Design Research
基金
浙江省哲学社会科学基金项目(20NDJC094YB)。
关键词
鱼藻纹
宋代造物
设计
fish-algal-pattern
the creation thought of Song Dynasty
design