摘要
纳西族东巴象形文字具有特定的社会文化意义,其“象形”的特性决定其装饰艺术特征明显,包含自然崇拜观、神灵崇拜观和原始淳朴特征等在其中均有不同程度的体现。在当下,东巴象形文字并没有消亡,除去作为地方文化特色在使用外,还不断的成为不同视角艺术家、设计师重构传统文化的来源,被赋予新的现代活力。通过东巴文形意表达装饰性的解读,对其内在深切体会、分析和总结规律,发掘装饰背后的社会文化生态和人的因素,有利于使东巴文作为一种民族象征符号在当今文化全球性中寻找新意义。
The Dongba hieroglyph of the Naxi nationality is embedded with specific social cultural meanings.Its hieroglyphic nature defines a striking feature of artistic decoration,including the worship of nature and gods and a primitive simplicity.At present,Dongba hieroglyphics have not died out.In addition to being used as a local cultural feature,Dongba pictograph has become the source of reconstructing traditional culture for artists and designers from different perspectives,and has been given new modern vitality.Through the interpretation of the decorative expression of Dongba language's form and meaning,this paper analyzes and summarizes the rules,explores the social cultural ecology and human factors beyond the decoration,so as to make Dongba pictograph as a national symbol to find new significance in today's cultural globalization.
出处
《民族艺林》
2020年第4期81-87,共7页
Journal of Ethnic Art
基金
2019年云南省教育厅科学研究一般项目“滇西北地区民族画造型形态解析”(项目编号:2019J0246)阶段性成果。
关键词
东巴文
象形
形意表达
装饰
Dongba language
pictograph
expression of form and meaning
decoration