期刊文献+

小说《采桑子》中的传统美学悲剧——以《谁翻乐府凄凉曲》为例

The Tragedy of Traditional Aesthetics in the Novel Sangzi——Take Who Turns Bleak Music in Yuefu as an Example
下载PDF
导出
摘要 作家叶广芩以其独特的审美视觉和传统笔触创作出一系列京味小说,主要代表作有《状元媒》《采桑子》《琢玉记》等作品,其中蕴含传统戏曲文化所特有的审美意蕴。《谁翻乐府凄凉曲》[1]以金舜铭为第一视角记叙了“她”对金家大小姐金舜锦一生的听闻,透视家族盛衰。本文从艺术手法着手,展开对传统悲剧美学的构建与追求。 The writer YE Guang-qin has created a series of Beijing novels with his unique aesthetic vision and traditional brushwork,the main masterpieces of which are Zhuang-yuan Media,Picking Mulberry seed,Zhuoyu Ji and other works,which contain the unique aesthetic implication of traditional opera culture."Who Turns Over the Music House Sad Song"[1]takes JIN Shun-ming as the first perspective to tell the story of"her"hearing about the life of JIN Shun-jin,the eldest miss of the JIN family,and perspective the ups and downs of the family.This article starts from the artistic technique,develops to the traditional tragedy esthetics construction and the pursue.
作者 彭媛 PENG Yuan(Northeast Normal University,Changchun 130024,China)
机构地区 东北师范大学
出处 《齐齐哈尔师范高等专科学校学报》 2020年第6期48-50,共3页 Journal of Qiqihar Junior Teachers College
关键词 叶广芩 悲剧美学 传统 京剧 YE Guang-qin tragedy aesthetics traditional Beijing Opera

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部