摘要
清代后期著名戏曲家陈烺创作了三篇取材于《聊斋志异》的传奇,为清代“聊斋戏”的发展开创新的局面。陈烺有不俗的戏曲造诣,他选择“奇而不幻”的“聊斋”故事作为戏曲改编的蓝本,在改编过程时胸中自有丘壑,秉承着主副线交织的叙事结构,注重传奇的社会功用和现实意蕴,创作出极富表演性和市井风情的传奇作品。
In the late Qing Dynasty,the famous opera artist Chen Lang created three Chuanqi based on Strange Tales from a Chinese Studio,which opened a new stage for the development of Liaozhai Opera.Chen Lang has excellent opera knowledge.He chose the fantastic story as the blueprint for the adaptation of Chuanqi.During the adaptation process,he had outstanding ideas and used the narrative structure of the main and auxiliary lines to express the social function and realistic meaning.In the end,he created a legendary work that is highly performative and popular with the people.
作者
司若兰
SI Ruo-lan(School of Literature,Shandong University,Jinan 250100,China)
出处
《蒲松龄研究》
2020年第4期126-139,共14页
Study on Pu Songling
关键词
陈烺
聊斋志异
传奇
改编
Chen Lang
Strange Tales from a Chinese Studio
Chuanqi
Adaptation