试论发展性变奏技法与变奏曲体裁——形式的逻辑矛盾——以勃拉姆斯的钢琴变奏曲为例

On the Logic Contradiction between Developing Variations’ Techniques and its Form——A Case Study of Brahms’ Piano Concerto

"发展性变奏"被公认为勃拉姆斯音乐语言机制中最为独特的一种技法。勃拉姆斯的交响曲、钢琴协奏曲、钢琴奏鸣曲、室内乐、歌曲创作都运用了这一技法,唯独其钢琴变奏曲创作例外。其《亨德尔主题变奏曲与赋格》就体现出"发展性变奏"与"变奏曲体裁—形式"之间的深层逻辑矛盾。

Developing variation is the most individualistic in Brahms’music language as reflected nearly in all types of his works,only with his piano variations as an exception,e.g.his Variations and a Fugue on the Theme by Handel,revealing the logic contradiction between this genre and its form.