摘要
1927年前后,大批在京作家陆续播迁上海,现代文学中心南移。时间、空间、历史事件与作家迁徙轨迹的交织,使文人播迁具有文学地理学和场域发生学的多维意义。北伐鼎革后,文人避难于沪而非南京,此现象不能被简单“指认”。文化北京陷落与文学魔都凸显,既非同时,亦非同因。京沪文化格局消长与场域重组,塑造了现代文学的黄金时代格局,彰显了文学场域构型与知识分子生存方式、政治权力、文化资本、文学消费等诸多要素之间的张力关系,完成了从传统市民空间到都市空间的文学特质转型,上海“地方性知识”亦得以拓展为一种中国都市生存景观。
The Chinese modern literary center has transferred to Shanghai,resulting in a large number of writers escaped from Beijing,by the deterioration of the cultural ecology of Beijing around 1927.The social,political,cultural factors and individual migration routes merged together on this historical turning point.The most outstanding writer,including the liberal intellectuals,has gradually moved to Shanghai.In this period,the literary field and cultural pattern of two cities has reconstructed,the modern writers lifestyle has changed,the three pillars of literary parts has formed.The literary characteristics completed the transformation from traditional folk culture to the modern urban culture,and Shanghai local knowledge has also turned into national experience.
作者
蒋进国
JIANG Jinguo(College of the Humanities and Foreign Languages, China Jiliang University, Hangzhou, Zhejiang 310018, China)
出处
《中州大学学报》
2020年第6期1-5,共5页
Journal of Zhongzhou University
基金
国家社科基金项目“中国现代自由主义文学思潮研究(1917—1949)”(16BZW140)。
关键词
文人播迁
文学中心
场域
北京
上海
migration of Intellectuals
literary center
field
Beijing
Shanghai