京派诗论与中国现代新诗合法性理论建构

Poetics of Beijing School and Construction of the Legitimacy Theory of Modern Chinese Poetry

20世纪20年代后期和30年代,中国新诗在经历十余年的发展后,积累了大量深层次的矛盾和理论困惑,这不仅制约着新诗的未来方向,也对新诗的合法性形成了严峻挑战。鉴于此,不少新诗的研究者都开始对新诗的历史和未来进行探讨和反思,其中京派批评家的反思和探讨尤为深入、具体。他们对于新诗面临的困境和危机有着清醒的认识,在新诗现代性、新诗与古典诗等问题上提出不少有价值的观点,对新诗发展的技术路线和突围的途径也提出了具体可行的主张。在新诗面临诸多挑战的关键时期,京派批评家的新诗批评理论一方面具有相当的问题意识,敢于面对新诗的生存危机;另一方面也表现出学院派批评的专业和精深,赋予新诗理论更强的学术品位,成为20世纪诗歌理论不可或缺的遗产。

In the late 1920s and 1930s,after more than 10 years of development,Chinese new poems also accumulated a lot of deep-rooted contradiction and theoretical confusion,which not only restricted the future direction of new poems,but also formed the legality of new poems severe challenges.Therefore,many researchers of new poems began to explore and reflect on the history and future of new poems.Among them,the reflections and discussions of Beijing school critics are particularly in-depth and specific.They have a clear understanding of the difficulties and crises new poems facing,and they put forward a lot of valuable views on the modernity of new poems and classical poems.They have also put forward concrete and feasible proposals for the technical route and break through ways of new poems.When new poems faced many challenges,Beijing school critics were not absent.On the one hand,their criticism theory of new poems was quite problematic and dared to face the crisis of survival of new poems.On the other hand,they also showed the professionalism and depth of academic criticism which give the new poetry theory a stronger academic taste,and it also become an indispensable heritage of the poetry theory of the 20th century.