摘要
本文从情感工程学角度,通过木偶自身形态的情感化设计和自身装置操作的情感化设计两方面,剖析偶在舞台剧中的表现与突破。
This paper will stand in the perspective of emotional engineering,respectively,from the puppet's own form of emotional design and puppet's own device operation of emotional design to analyze the performance and breakthrough of the puppet in the stage play.
作者
王丽丽
WANG Li-li(Changxin International College of Art,Yunnan University,Kunming Yunnan 650091,China)
出处
《演艺科技》
2020年第11期63-67,共5页
Entertainment Technology
关键词
情感工程学
木偶
情感化设计
肢体器官
表达
affective engineering
puppetry
emotional design
limb organs
expression