摘要
杜甫评价庾信作品时称"庾信文章老更成",后又屡屡用"老成"评价他人的文学作品。"老成"体现出杜甫的文学审美观念,也是杜甫作品努力追求并达成的艺术高点。溯源"老成"一词词义,结合历代文学批评家对"老成"的理解,分析杜甫后期作品,发现"老成"一词既有"穷而后工"之意,也有"宏博渊雅"之内涵。
Du Fu evaluated Yu Xin’s works with"Yu Xin’s articles are becoming more and more mature",and then evaluated other people’s literary works with"Lao Cheng"again and again."Lao Cheng"is Du Fu’s literary aesthetic concept,as well as the artistic high point of Du Fu’s works.By tracing the meaning of the word"Lao cheng",and combining the understanding of literary critics in the past dynasties and the goal of Du Fu’s later works,the article holds that the word"Lao Cheng"has both the meaning of"Literary excellence is achieved only after many frustrations"and the connotation of"The content is rich and deep".
作者
黄竺
Huang Zhu(College of Literature,Hebei University,Baoding,Hebei 071002,China)
出处
《保定学院学报》
2021年第1期80-86,92,共8页
Journal of Baoding University
关键词
杜甫
“老成”
诗歌创作
审美观念
Du Fu
"Lao Cheng"
poetry creation
aesthetic concept