摘要
费·索洛古勃的戏剧理论及创作以其颓废情调和乌托邦色彩在俄国象征主义中独树一帜。他赋予戏剧本体论的意义,认为它为生活提供了形式与秩序,而艺术家则是创造这个理念世界的主宰。他希望剧场能够成为传播艺术真理的乌托邦教堂,从而拯救世纪之交现代人的精神困局。本文将通过研究索洛古勃的剧论及剧本,讨论其中分别作为思想基础、创作原则和戏剧内核紧密结合的唯心主义、唯美主义和爱欲主义所具有的美学价值和艺术功能。
Because of decadent and utopian features, F. Sologub’s dramas and dramatic theory were unique and important in Russian symbolism. He endowed drama with ontological meaning with the belief that it provides forms and orders for real life and the artist is the only dominator of this conceptual world. In his opinion, theatrical art holds true meanings of life, which can save modern people from the spiritual crisis at the turn of the centuries. This article aims to study Sologub’s dramas and dramatic theory from three basic and closely integrated aspects: idealism, aestheticism and eroticism, and discuss their aesthetic values and artistic functions.
作者
余翔
Yu Xiang(Beijing Foreign Studies University)
