“言之无文,行之不远”:喊麦音乐审美现象的反思——以歌曲《惊雷》之争为例

“Non-elegant Words Will Not Become Popular”:A Reflection on the Aesthetic Phenomenon of Rap Music Based on Thunder

通过对杨坤与MC六道关于《惊雷》审美价值的争辩进行分析,进而对于以《惊雷》为代表的喊麦音乐社会审美背景及其审美观念形成原因展开研究,揭示具有代表性、现实意义的喊麦音乐审美的实质问题。同时从艺术家与时代进步的关系、审美经验与生理反应的关系、审美功用与审美距离的关系等多维度视角对喊麦音乐创作与欣赏的审美现象进行深入反思,从而引领人们走向更有意境的审美世界。

The paper analyzes the arguments of Yang Kun and Liudao(the rapper)about the aesthetic value of Thunder,and then studies the social aesthetic background of rapper music and the reasons for the formation of its aesthetic concept to reveal its aesthetic representativeness.The paper further reflects the relationship between the artist and the progress of the times,the relation⁃ship between aesthetic experience and physiological response,the relationship between aesthetic function and aesthetic distance and other multi-dimensional perspective of the aesthetic phenomenon of the creation and appreciation of rap music,to lead people to a more artistic aesthetic world.