书写女性与女性书写--五四时期郭沫若剧作与女性剧作家剧作的比较分析

Writing the Female and Female’sWriting:Analysis of Guo Moruo's plays and female playwrights in the May Fourth Period

“五四”时期,郭沫若戏剧作品颇丰。学界对郭沫若的戏剧研究也取得了丰硕的成果。纵观近年来的理论研究成果,对郭沫若这一时期的戏剧研究还有许多可供挖掘的内容。将郭沫若放在“五四”时期这个历史维度上和同时代女性剧作家的作品进行对比研究,他们的剧作都将目光瞄准了婚恋自由女性解放这一题材,塑造出一批光彩夺目的女性形象,并且都采取反传统的叙事策略,但不同性别“言说”者的身份决定了这些剧本背后迥异的思想内涵和行为动机。

During the May 4th Period,Guo Moruo created many supplementary drama works.Academic circles have also achieved fruitful results in the study of Guo Moruo's drama.Throughout the theoretical research results in recent years,there are still many contents to be mined for the drama study of Guo Moruo in this period.This paper makes a comparative study of Guo Moruo in the historical dimension of"May 4th"period and the works of contemporary female playwrights.Their plays all focus on the theme of free women in love and marriage,create a number of dazzling female images,and adopt anti-traditional narrative strategies.However,the identity of"speakers"of different genders determines the different ideological connotations and behavioral motivations behind these plays.