摘要
作为一种次文类,“戏剧-小说”是中外小说中的一个重要现象。借鉴跨媒介理论,它可以被分为两种主要类型:媒介混合型与媒介指涉型。结合当下的剧场和表演理论,“戏剧-小说”研究关注小说作品内跨媒介互动的方式、过程与效果。本文重点分析了英国作家伍尔夫的《幕间》和莫言的《檀香刑》等作品,探讨跨媒介的混合和指涉如何不断建构小说形式和内容上的创新,激发读者的审美体验,参与到历史和现实的重新建构与想象中。
As a literary sub-genre,“theatre-fiction”is an important phenomenon in both Chinese and foreign novels.In light of the intermediality theory,its intermediality features two major categories:the intermedial hybridity and the intermedial reference.Borrowing from contemporary theories on theatre and performance,this study on“theatre-fiction”is focused on the modes,the process and the effects of intermedial interactions in novels.Such novels as Virginia Woolf’s Between Acts and Mo Yan’s Sandalwood Death are mainly studied so as to carry out detailed analysis on the innovations in the novelistic forms,the aesthetic experiences of the readers and the role of fictional works in the reimaging of both history and reality.
出处
《南京师范大学文学院学报》
CSSCI
北大核心
2020年第4期33-42,共10页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社科基金艺术学重大项目“欧美戏剧理论前沿问题研究”(18ZD06)的阶段性成果。
