摘要
缓慢电影的核心在于将静止融入变幻的影像文本之中,将缓慢美感影像化为一个长时间持续的演绎过程,传递诗意的哲思。暂态时间是永恒的碎片,而银幕空间内的时间被给予了无穷延展的维度和长度,变向地将“碎片”多维化,为观众传递感知的可能性。缓慢电影通过对表达形式的简化加工,将文本中更多的延展空间留位于主题思想,得以挖掘影像的深度内涵。
The core of slow cinema lies in its integration of stillness into the shifting image texts by turning slow aesthetic images into prolonged and continuous deduction processes to convey poetic philosophy.Transient time is an eternal fragment while the time in screen space is rendered with dimension and length of infinite extension,which makes“fragment”multi-dimensional and renders the possibility of perception to the audience.By simplifying the form of expression,slow cinema leaves more extended space to the textual theme to excavate deep connotations of the images.
作者
刘思成
LIU Sicheng(Academy of Film,Hong Kong Baptist University,Hong Kong,999077)
出处
《贵州大学学报(艺术版)》
2020年第6期54-60,共7页
Journal of Guizhou University Art Edition
关键词
缓慢电影
诗意
“慢”美学
作者书写
slow cinema
poetic conception
“slow”aesthetics
author’s writing