非虚构写作与城乡中国的现实图景

Non Fictional Writing and the Realistic Picture of Urban and Rural China

在由大众文化兴起带来的泛娱乐化、商业化的社会语境中,文学的社会位置也因此而有所调整,日益趋于边缘、小众、封闭。面对这一情景,经由文学官员、文学刊物、写作者、媒体、出版社等多方力量参与、引发和推动的非虚构写作,受到了广泛关注,也有不少争议,成为近十年来一个重要的文学现象和社会现象。作为一种写作策略,非虚构写作试图为重建文学与现实之间的紧密联系提供新的启发和路径。在这种写作实践中,一批具有共性的文本对城乡中国的图景进行了聚焦与呈现。写作者以走访、对话的形式,通过面对个人、家庭和乡村的微观方式,呈现了宏观时代下的一个个特定群体及其生活景观和精神状况。通过非虚构写作,知识者、写作者和普通民众正在展开新的互动。

In the social context of entertainment and commercialization brought about by the rise of popular culture,the social position of literature has also been adjusted,and tends to be marginalized,small and closed.In the face of this situation,non fictional writing,initiated and promoted by many forces such as literary officials,literary journals,writers,media and publishing houses,has been widely concerned and controversial,and has become an important literary and social phenomenon.As a writing strategy,nonfiction writing attempts to provide new inspiration and path for reconstructing the close relationship between literature and reality.In this writing practice,a number of texts with common features focus and present the picture of urban and rural China.In the form of interview and dialogue,the writer presents a specific group and their life landscape and spiritual status in the macro era through the micro way of facing individuals,families and villages.Through non fiction writing,intellectuals,writers and ordinary people are developing new interaction.