唐代丝路审美文化熔铸研究——以西安何家村窖藏典型金银器为例

Study on Fusion and Casting of Aesthetic Culture of the Silk Road in Tang Dynasty——Take Xi’an Hejia Village Typical Gold and Silver Ware Hoarding as an Example

陕西西安何家村出土的金银器作为唐代金银器鼎盛时期的代表,是丝绸之路上的物质文化。其向内和向外双向开放的交换过程,于制造工艺、纹饰和观念上展现了东西方文化的融合与交流,表现为构造工艺的糅合熔铸、纹饰审美的融通互鉴以及审美文化的交融互铸。在持续不断的丝路共生中,何家村金银器持续产生了新的审美意义,丰富丝路审美对象的社会生命和社会生活,在不断的“文明互鉴”和“人文化成”中为当今的文化和合给予更深刻的认知。

As a representative of the heyday of the Tang Dynasty,the gold and silver wares unearthed in Hejia Village,Xi’an,Shaanxi,is the material culture of the Silk Road.Its two-way open exchange process shows the fusion and exchange of eastern and western cultures in terms of manufacturing techniques,ornamentation and ideas,which is manifested in the fusion and casting of structural techniques,the integration and mutual learning of decorative aesthetics and the integration and mutual casting of aesthetic culture.In the continuous symbiosis of the Silk Road,the gold and silver in Hejia Village have continuously produced new aesthetic significance,enriched the social life and social life of the aesthetic objects of the Silk Road,and gave deeper cognition to the current culture and harmony in the continuous mutual learning of civilizations and humanization.