摘要
在当代西方建筑美学的发展历程中,形态有机主义是一个重要的阶段,对世界建筑流派产生了深远的影响。本文通过对"形态有机"和汉斯·夏隆(Hasn Schaoru)个人美学思想的梳理,以柏林爱乐音乐厅、"罗密欧"与"朱丽叶"住宅为例,论证了汉斯·夏隆的形态有机主义美学思想是从事物的自然本质寻找建筑形态,希望发掘出有机的更深层次内涵,并结合中国传统道家文化的"天人合一"思想,以期创造出具有中国特色的有机建筑。
In the course of the development of contemporary western architectural aesthetics,form organism is an important stage,which has a profound impact on the world architectural schools.By combing the“organic form”and Hasn Schaoru’s personal aesthetic thought,and taking Berlin Philharmonic Concert Hall and the Romeo and Juliet residence as example,this paper demonstrates that Hans Schaoru’s organic form aesthetic thought seeks architectural form from the natural essence of things,hoping to discover the more deep organic connotation,and combines with the traditional Taoist culture of“harmony of nature and man”in order to create organic architecture with Chinese characteristics.
作者
张阳
Zhang Yang(School of Architecture and Design,Southwest Jiaotong University,Chengdu Sichuan 611756,China)
出处
《城市建筑》
2020年第32期103-105,共3页
Urbanism and Architecture
关键词
形态有机
自然本质
建筑形态
天人合一
organic form
natural essence
architectural form
nature and man in one
