摘要
罗兰·艾默里奇执导的影片经历了由实验性到全球化生产的过渡。影片主题核心由“以奇幻元素衬托人的无所不能”向“开发凡人英雄的巨大潜能”迁移。影片内容从生态环境的摧残与消亡逐渐转向意识形态视阈下的种族焦虑。由此可见,全球化视野下的影视创作与文化输出正萦绕人类命运共同体构建而展开。
Roland Emmerich's films have gone through a transition from experimental to global production.The core theme of the film is transferred from"fantasy elements show the omnipotence of human beings"to"develop the great potential of mortal heroes".The content of the film gradually turns from the destruction and extinction of ecological environment to the racial anxiety under the ideological perspective.Therefore,film and television creation and cultural output from the perspective of globalization are being carried out in the construction of a community with a Shared future for mankind.
作者
高清雪
高清云
Gao Qingxue;Gao Qingyun(Zaozhuang University,Zaozhuang 277160,China;Weifang University,Weifang 261061,China)
基金
2020年度山东省艺术科学重点课题青年专项“罗兰·艾默里奇灾难电影的文艺叙事及其审美效应研究”,项目编号:QN202008080。
关键词
灾难片
罗兰·艾默里奇
生态崩溃
种族
disaster movies
Roland Emmerich
ecological collapse
race