丁观鹏《不二图像轴》的复制与研究

Research on The Scroll Painting Bu'er by Ding Guanpeng and its Replication

2019年故宫博物院举办的"万紫千红-中国古代花木题材文物特展"中,有一件绘画风格颇异的纸质文物-丁观鹏《不二图像轴》。"不二图"是清乾隆朝时期较为推崇的御容画像,该件文物是丁观鹏以李公麟《维摩演教图》为粉本进行摹绘与设计,将原画作中维摩诘像换为乾隆肖像。为使得文物原件长久保存,现对该件文物制作副本。本文以《不二图像轴》为复制案例,清宫档案记载为据,确定其为乾隆二十一年(1756年)间丁观鹏与王炳合作完成;同时总结了该件文物的历史信息、艺术风格和复制难点,以数字技术复制为主、人工摹绘为辅的复制技术路线,对该件文物的复制方法进行了系统的阐述。经过合理选择采集设备与复制材料、谨慎实施色彩管理操作后,顺利完成该件文物的复制工作。

The Scroll Painting Bu'er,an ancient Chinese painting of exotic style by Ding Guanpeng,was showcased in"Seasons of Beauty:A Special Exhibition of Floral Themed Artifacts"hosted by the Palace Museum in 2019.The painting was a highly praised portrait of the emperor Qianlong of the Qing Dynasty.Using the painting Teaching of Vimalakirti(Weimo yanjiao tu)by Li Gonglin as illustration draft,Ding Guanpeng designed and painted Bu'er by replacing the portrait of Vimalakirti to that of the emperor Qianlong.Replica is made to ensure the long-term conservation of the original.This paper focuses on the replication process of Bu'er and proves that it was co-painted by Ding Guanpeng and Wang Bing in 1756.The author summarizes the historical information,artistic style and difficulties in replication,and systematically explains the replication method that is featured by applying digital replication as the mainstay assisted with hand facsimileing techniques.The replica is successfully completed thanks to the reasonable selection of replication equipment and materials,and careful implementation of colour management.