摘要
辽代契丹包装器物的动物纹饰、植物纹饰、云纹、文字符号纹饰、人物活动纹饰、几何纹饰等都体现了契丹作为游牧渔猎民族的典型代表,其包装艺术在秉承匈奴、鲜卑、突厥等游牧民族艺术特色的基础上,融入中原地区和周边国家的多元文化因子,形成了具有明显民族性和地域性的契丹包装艺术。以历史遗存和相关文献为依据的辽代契丹包装器物的纹饰艺术分析,可以更好地展现契丹艺术的独特风采。
Liao Dynasty qidan packaging utensils the animal decorative design in a utensil,plant decoration,moire,text symbols of grain,grain character activities,such as geometric ornamentation reflect the qidan nationality as a typical representative of the fishing and hunting nationality in the nomadic,the packaging art in adhering to the xiongnu,xianbei,Turkey and other nomadic people,on the basis of artistic characteristics,multicultural factors into the central plains and the surrounding countries,formed has obvious nationality and regionality of qidan packaging art.Based on the historical remains and relevant documents,the decorative art analysis of the Khitan packaging utensils in liao Dynasty can better show the unique style of the Khitan art.
作者
高兰英
宋晓晨
Gao Lan-ying;Song Xiao-chen(School of Art and Design,Inner Mongolia University of Science and Technology,Baotou,Inner Mongolia,014010)
基金
2018年度教育部人文社会科学研究西部和边疆地区(艺术学)项目(编号:18XJC760002)。
关键词
辽代
契丹
包装器物
纹饰艺术
Liao Dynasty
Qidan
Packagings Utensils
Decorative Art