摘要
西藏自治区拉孜县彭措林寺大经堂内保存完好的17世纪初壁画,近年来备受国内外学界关注,然迄今为止尚未有学者对壁画图像进行完整准确的辨识研究。作者基于前期对彭措林寺壁画题记的研究,确定壁画是依据佛传故事、两部本续以及觉囊派祖师笃布巴定义的"了义十经"和"如来藏十经"而绘的变相图,同时依据相关藏文文献并结合图像志特征,对其中的"如来藏十经"变相图进行了解读研究。
The early 17^th-century murals well preserved in the gTsuglagkhang of Phun tshogs gling Monastery in Tibet have received much attention from domestic and foreign scholars in recent years,yet the interpretation to them is far from enough.It is studied based on the achievements on the inscriptions that the contents of the murals are the illustrations to the stories in the Buddhist classics including the Jataka,two Tantra,the ‘Ten Definitive Meaning Sutras’(Le Yi Shi Jing)and the‘Ten Tathagatagarbha Sutras’(Ru Lai Zang Shi Jing)defined by the renowned Master Dol po pa of the Jo nang sect.Both the historical Tibetan documents and the iconographies are taken as reference in the thesis to interpret the representation of the‘Ten Tathagatagarbha Sutras’.
出处
《故宫博物院院刊》
CSSCI
北大核心
2020年第12期48-58,110,共12页
Palace Museum Journal
关键词
彭措林寺
觉囊
壁画
变相
如来
藏经
Phun tshogs gling Monastery
Jo nang
mural
metamorphosis images(Buddhist stories in pictures)
Tathagatagarbha Sutras