论田间自由诗创作中的“韵律”元素——兼论田间对新诗内在节奏的继承和发展

On the “Rhythm” in Tian Jian’s Free Verse: Concurrently on Tian Jian’s Inheritance and Development of the Inner Rhythm of New Poetry

田间在新诗史上常被认为是以创作自由诗而闻名的诗人,但实际上他的自由诗有很强的节奏感,并非对形式艺术的彻底放逐。田间在诗歌创作中常通过对情绪的抒发来分行断句,越是激烈的情绪就越会出现短小的诗行,由此形成了“鼓点”般的节奏,这是对新诗内在节奏的继承和发挥,也是他独特的新诗“格律”观的外化;与此同时,田间也十分注重新诗的外在韵律,并非全然顺着情绪来建构诗行和节奏。因此,田间是一位有形式意识的诗人,他对新诗密集节奏的营造使其成为“时代的鼓手”,也为今天诗歌创作的“失范”提供了参考和启示。

Tian Jian is often regarded as a poet famous for his free verse in the history of modern Chinese poetry,but in fact,he had a strong sense of rhythm when he created free verse.In his poetry creation,Tian Jian often broke sentences into several lines by expressing his emotions.The more intense the emotions are,the shorter the lines will be,thus forming the rhythm of“drum beating”.This is the inheritance and development of the internal rhythm of modern Chinese poetry,and also the externalization of his unique concept of“rhyme”in modern Chinese poetry.At the same time,Tian Jian also paid great attention to the external rhythm of new poetry,not entirely following the emotions to construct lines and rhythms.Therefore,Tian Jian is a poet of formal consciousness.His construction of the intensive rhythm of new poetry made him become a“drummer of the times”,which also provides reference and enlightenment for today’s poetry creation.