谈戴望舒诗歌的音乐性问题

On the Musicality of Dai Wangshu’s Poems

关于戴望舒诗歌的音乐性探讨历来存在两方面的争议:一为学界部分研究者认为戴望舒创作后期对音乐性持反对态度;二为学界部分研究者用“内在韵律”的模糊字眼概括戴望舒诗的音乐性,但对这是一种“怎样的韵律”的问题没有进行深入探讨。本文将在具体分析以上争论的基础上,结合戴望舒诗作与诗论,探索其对新诗音乐性的真实态度及其具体实践,并呈现戴望舒对新诗“非格律韵律”美学理想的追求。

There are two disputes about the origin of musicality in Dai Wangshu’s poems.First,some researchers in the academic circle believe that Dai Wangshu was opposed to musicality in the later period of his poetic career.Second,others use the vague word like“internal rhythm”to summarize the musicality of Dai Wangshu’s poems,but they do not have a deep discussion on the question of“what kind of rhythm it is”.Based on the detailed analysis of the above arguments,this paper explores Dai Wangshu’s true attitude towards musicality and his practice of rhythm in combination with his poems and poetics,and at the same time presents Dai Wangshu’s pursuit of the aesthetic ideal of“non-metrical rhythm”in new poetry.