明清女性别集著录“绣馀”现象初论

On“BeyondEmbroidery”Phenomenon of Female’s Anthology in the Ming and Qing Dynasties

“绣馀”类语词在现存明清江南女性的著作中并不鲜见,不仅存在于作品文本的文字表述中,更是诸多别集在编纂过程中所选择的著录名。女性作家在文学创作尤其是著作名称中以此来述写自身文学创作的独特情态,也传递出性别视野下女性文学写作的日常状况和理论发声。通过对明清女性别集著录“绣馀”类自述的讨论,可以看出文学女性对于闺范的自觉遵从和自我警省,探寻明清女性对于其自身才名及认同所体现出的渴望与回避并存的矛盾态度。

The phenomenon of“beyond embroidery”are common in the existing works of women in the south of the Yangtze River in the Ming and Qing Dynasties.They not only exist in the text expression of the works,but also are the description names chosen by many other collections in the compilation process.Female writers write their own unique literary creation in literary creation,especially in the title of their works,which also conveys the daily situation and theoretical voice of female literary writing from the perspective of gender.Through the discussion of the description of“embroidery surplus”in women’s collections of Ming and Qing Dynasties,we can see that women in literature consciously comply with women’s models and self-discipline,and explore the contradictory attitude of women’s desire and avoidance for their own talent and identity in Ming and Qing Dynasties.