摘要
中国的书法和插花艺术都深受古典文化的影响,在审美表达上有很多共通之处。它们之间存在千丝万缕的内在联系,都侧重文化表达,把形作为意的载体,寄托个性化的意念和情感。基于这种同本同源的艺术理念,书法中线条造型的笔法,空间构建的章法,明暗搭配的墨法以及澄澈清明的心境和突破束缚的灵性都可以拓展应用于插花。插花作为空间生态艺术,如果充分融合书法美学,将为丰富插花艺术内涵和空间生态美学提供启示和借鉴意义,从而推动插花艺术的传承与发展。
Chinese calligraphy and flower-arranging are both deeply influenced by the classical culture and have many similarities in aesthetic expressions.There are countless internal links between them,and both focus on cultural expressions,take forms as the carriers of meanings,and express personalized ideas and emotions.Based on this homologous artistic concept,the brushwork of line modeling,the rules of space construction,the ink method of light and shade,as well as the clarity of mind.The spirit of breaking through shackles in calligraphy can be extended and applied to the art of flower-arranging.As a spatial ecological art,if flowerarranging can be fully integrated with calligraphy aesthetics,it will provide inspiration and reference for enriching the artistic connotation and spatial ecological aesthetics of flower-arranging,so as to promote the inheritance and development of the art.
作者
高静静
Gao Jingjing(Department of Arts and Crafts,Huaibei Vocational and Technical College,Huaibei,Anhui 235000,China)
出处
《大理大学学报》
CAS
2021年第1期85-89,F0003,共6页
Journal of Dali University
基金
安徽省质量工程:校企合作实践教育基地项目(2018sjjd097)
安徽省创新发展实施方案项目(XM-17)
淮北职业技术学院人文重点社会科学研究项目(2019-B-2)。
关键词
书法艺术
插花
美学
传承与发展
calligraphy art
flower arrangement
aesthetics
inheritance and development