唐代德诚禅师《拨棹歌》意蕴格调研究

A Study on the Connotation and Style of Paddle Song by Zen Master De Cheng in Tang Dynasty

唐代德诚禅师有《拨棹歌》39首,被称为“禅宗渔父词”。从思想内容来看,该组词表现了禅宗自性清净的本心论、妄念执着的迷失论、泯灭分别的开悟论、自由无碍的境界论等思想;从艺术风格来看,德诚禅师的《拨棹歌》用富有象征意味的意象表现禅理,达到情理兼备的艺术境界,进而营造出一种旷逸空灵的美学风格。此外,《拨棹歌》突破了传统渔父文学的创作,主要表现在哲理意味的增强、出世与入世矛盾的消解、心境的现量化描写三个方面。

In the Tang Dynasty,Zen Master De Cheng had 39 pieces of Song of Paddle,which was called"Fisherman's Ci of Zen".From the perspective of its ideological connotation,this group of poetry expresses the peace and quiet theory of original mind,the lost theory of delusion and persistent,the enlightenment theory of vanishing separation,and the realm theory of clarity of mind.From the perspective of artistic style,Zen Master De Cheng's Paddle Song is good at expressing Zen theory with symbolic images,achieving the artistic realm of both emotion and reason,and creating a kind of style of free and ethereal.In addition,this group of poetry breaks through the creation of traditional fisherman's literature,which is mainly manifested in three aspects:the enhancement of philosophical meaning,the resolution of the contradiction between“going into the society”and“coming out of the society”,and the realistic description of mood.