摘要
清代东北流人作家程煐的传奇戏曲《龙沙剑传奇》呈现出浓郁的文人化色彩。其根本原因在于:在清代举世“以文为曲”创作观念指导下,程煐以八股“文法”取代传奇“戏法”;他以比兴寄托手法来含蓄曲折地表情达意,以寄寓其作为“流人”的幽怀深衷;他师古崇雅,用语典丽,并在创作之初已将《龙沙剑传奇》预设为“案头之作”而非“场上之曲”。
The drama Legend of Longsha Sword written by Cheng Ying,an exiled writer from northeast China in Qing Dynasty,showed a strong literati color.Under the Qing Dynasty's creation concept of“treating⁃dramas as proses”,Cheng Ying mixed his creation methods ofdrama with creation methods of Eight-legged essay;he used metaphor to express his feelings as an exile.He advocated the concept of retro writing style,especially treatingthe Legend of Longsha Sword as a text for reading rather than a script for performance.
作者
陈才训
王一夫
CHEN Cai-xun;WANG Yi-fu(School of Literature,Heilongjiang University,Harbin 150080,China)
出处
《哈尔滨工业大学学报（社会科学版）》
CSSCI
2021年第1期83-88,共6页
Journal of Harbin Institute of Technology(Social Sciences Edition)
基金
国家社会科学基金重大招标项目“全明笔记整理与研究”(17ZDA257)。
关键词
程煐
《龙沙剑传奇》
以文为曲
比兴寄托
师古崇雅
Cheng Ying
Legend of Longsha Sword
treating dramas as proses
using metaphor to convey true meaning
pursuing elegant aesthetic style
