摘要
呼名法是通灵文学理论中重要的艺术手段。在莎士比亚的《罗密欧与朱丽叶》中,男性巫师与女性巫师分别运用呼名法,试图通过招魂术来变更故事中人物的命运悲剧,却以失败告终,朱丽叶的失算之处,乃是对于文艺复兴的人的身份经过通灵文学的重新塑造和定义而引发的冲突与不幸。这是莎氏悲剧力图思考和描述的问题。
Onomancy is a significant technique in the Theurgical Literature.Mercutio and Juliet separately made their incantations with Romeo's name called in order to alter the destination of the doomed stra-crost lovers,but both failed.The problem within Juliet's necromancy is the confliction of what a Renaissance man will be after his identity had been sabotaged.That is what Shakespeare paid efforts to consider in almost all his tragedies.
作者
史敬轩
SHI Jingxuan(School f Foreign Language, Southwest University, Chongqing 400715, China;School of Foreign Language, Chongqing University of Telecommunications, Chongqing 400065, China)
出处
《重庆交通大学学报(社会科学版)》
2021年第1期88-95,共8页
Journal of Chongqing Jiaotong University:Social Sciences Edition
基金
国家社会科学基金项目“英国文艺复兴时期戏剧阅读及其影响研究”(19BWW080)
教育部人文社会科学研究规划基金项目“英国盎格鲁萨克森神话的语本研究”(15YJA752011)。
关键词
朱丽叶
巫师
招魂术
通灵文学
Juliet
witch
incantation
theurgical literature