摘要
神话既涉及各种学科,又涉及在历史长河中流传嬗变下来的不同的文艺载体,"幻想性""故事性""原始性"等都是神话的重要元素。与神话一样,电影也是一种言说方式,并且与神话共有"奇观""造梦"以及"历史性"的属性。在对中国神话题材电影进行原型批评之后,我们发现,将"神话"和"电影"相结合而产生的"神话电影",理应在遵循神话原型意指的同时,更充分发挥电影叙事功能方面的优势。
Mythology involves not only various disciplines,but also different literary and artistic carriers,such as"fantasy","story"and"primitive",which are all important elements of mythology.Like myth,film is a form of speech and shares with myth the attributes of"spectacle","dream-making"and"historicity".After archetypal criticism of Chinese mythological films,we find that"mythological films",which combine"mythological"and"cinematic",should not only follow the meaning of mythological archetypes,but alsogive full play to the advantages of film narrative function.
作者
刘晓希
LIU Xiao-xi(School of Journalism and Communication,Guangzhou University,Guangzhou,Guangdong 510000)
出处
《艺术百家》
CSSCI
北大核心
2020年第5期131-135,共5页
Hundred Schools In Arts
基金
2019年度国家社会科学基金艺术学重大项目“新时代中国动画学派的重建与民族文化传播研究”(项目编号:19ZDA333)阶段性成果之一。
关键词
神话
原型批评
中国电影
电影叙事伦理
Mythologies
Archetypal Criticism
Chinese Film
Film Narrative Ethics