摘要
凭吊诗作为清代浙东学派学人诗歌创作的内容,随着时代的发展不断演变。从黄宗羲到万斯同再到全祖望,诗歌内容不断拓展,诗歌风格也从好“梦”趋向写实。与此同时,诗歌理论也对传统的“诗道性情”和“学问”与诗歌创作的关系进行了新的阐释。事实上,清代浙东学派学人凭吊诗的内容、风格的演变也符合从性情到学问的发展趋势,与清诗的发展相一致。
The visiting poems,as the specific content of poetry creation by scholars of Eastern Zhejiang School in the Qing Dynasty,are constantly evolving with the development of the times.From Huang Zongxi to Wan Sitong to Quan Zuwang,the content of poetry had been continuously expanded,and the style of poetry had also changed from the favor of the“dream”to that of realism.In the same time,poetry theory also provided a new interpretation of the relationship between traditiona“l poetry temperament”and“learning”.In fact,the evolution of the content and style of the visiting poems by the Eastern Zhejiang School in the Qing Dynasty also conformed to the development trend from temperament to learning,which was consistent with the development of Qing poetry.
作者
荔强艳
LI Qiangyan(College of Liberal Arts,Chongqing Normal University,Chongqing 401331,China)
出处
《浙江海洋大学学报(人文科学版)》
2020年第5期55-60,共6页
Journal of Zhejiang Ocean University(Humanities Sciences)
关键词
凭吊诗
清代浙东学派
黄宗羲
万斯同
全祖望
visiting poems
Eastern Zhejiang School in the Qing Dynasty
Huang Zongxi
Wan Sitong
Quan Zuwang