民国报刊词话的娱世与入世

Entertainment and entering-the-world of Ci-poetry in newspapers and periodicals in the Republic of China

传统词话中一直不乏娱乐化的因子。宋代至元明词话娱乐性内容较为零散;清代词话中出现“谐谑”一类,晚清《南亭词话》则是娱乐型词话的集大成之作。民国报刊娱世词话受到传统词话的娱乐性与晚清以来报刊娱乐氛围的双重影响,在传统滑稽、香艳的娱乐内容基础上增添了新的种类。与娱乐主义相反的是入世精神。民国报刊入世词话表现为对民国初年政治生态恶化的反映、对女权问题的关注、对新旧文学的态度以及抗战记录。娱乐主义与入世精神既跟文人的传统心理有关,也是传统文学中“文以载道”“以文为娱”观念的延续。

Entertaining factors have always been in the Ci-poetry,but they were relatively fragmented from the Song Dynasty to the Yuan and Ming Dynasties.In the Qing Dynasty,however,a kind of“banter”in Ci-poetry came into being,and Nanting Ci-poetry of the late Qing Dynasty marked the maturity of entertainment Ci-poetry.In the Republic of China,influenced by the entertaining property of traditional Ci-poetry and the entertaining tendency of newspapers and periodicals since the late Qing Dynasty,new kinds of Ci-poetry were added to the traditional funny and sensuous entertainment Ci-poetry.Contrary to the belief of entertaining the world is the spirit of entering the world.The entering-the-world Ci-poetry in the newspapers and periodicals in the Republic of China referred to the reflection of the deterioration of the political ecology in the early years of the Republic of China,the concern for women’s rights,the attitude toward the new and traditional literature,and the records of the War of Resistance Against Japan.In fact,the belief of entertaining the world and the spirit of entering the world is related to the literati’s traditional psychology and is also the inheritance of the concept of“writings for conveying truth”and“writings for entertaining”in traditional literature.