摘要
废名的小说采用画面结构和情景叙事的手法,人物不再是作品塑造的中心,而是成为画面中的一部分。人物与他们的生活背景融合在一起,不需要具有典型的形象和性格,而是意识当中的一个抽象概念。小说中的叙述者不去评价小说的故事情节,而是善于自省、善于思考、充满智慧,以旁白的方式带领读者去领略他们的白日梦,他们是一些脱离现实的,具有文化符号意义的抽象人物。他们的存在不是为了演绎故事情节,而是为了证明这样一种人生理想境界的存在。
Fei Ming’s novels adopt the method of picture structure and situational narration.The characters are no longer the center of the work,but become a part of the picture.The characters are fused with their life backgrounds,do not need to have a typical image and personality,but an abstract concept in consciousness.The narrator does not evaluate the plot of the novel,but it is good at introspection,thinking,and full of wisdom,and leads the readers to appreciate their daydreams by way of narration.They are some of them divorced from reality and an abstract figure with cultural semiotic meaning.They exist to prove the existence of such an ideal state of life,not to deduce the story.
作者
马英
MA Ying(College of Literature and Art, Xinyang Agriculture and Forestry University, Xinyang 464000, China)
出处
《信阳农林学院学报》
2020年第4期83-86,共4页
Journal of Xinyang Agriculture and Forestry University
基金
河南省教育厅人文社会科学一般项目(2019-ZDJH-707).
关键词
废名
内倾视角
禅意
叙事时间
Fei ming
introversion angle
buddhist mood
narrative time