摘要
花鸟题材在陶瓷这一载体上创作,早在石器时期就有所涉及。然而陶瓷花鸟画在中国浩瀚的陶瓷装饰史上,也是十分浓墨重彩的一笔。而中国传统文化博大精深,花鸟画又十分注重寓意的讲究。因此,非常符合意在笔先,讲究神形兼备的国人审美情趣。而中国花鸟画囊括了众多物像,本文旨在研究陶瓷花鸟画。通过对陶瓷花鸟画的概述,以及创作手法作为切入点,希望对当代陶瓷花鸟画的创作起到助推作用。
The theme of flowers and birds was created on the carrier of ceramics,which was involved as early as the stone age.However,ceramic flower and bird painting is also a very strong brush in the vast history of ceramic decoration in China.The traditional Chinese culture is extensive and profound,and flower and bird paintings pay great attention to moral.Therefore,it is very agreeable to write first and pay attention to the aesthetic taste of Chinese people with both spirit and form.Chinese flower and bird painting includes many objects.This paper aims to study ceramic flower and bird painting.Through the overview of ceramic flower and bird painting,as well as creative techniques as a starting point,I hope to play a boosting role in the creation of contemporary ceramic flower and bird painting.
作者
宋肖
Song Xiao(Leye cottage,Jingdezhen,333000)
出处
《陶瓷研究》
2020年第6期137-138,共2页
Ceramic Studies
关键词
花鸟题材
陶瓷
创作
体会
flowers and birds
ceramics
creation
experience