摘要
《红楼梦》在表面的故事叙述之下,潜藏着作者的另外一个深层次的有关此书作者及其写作背景的故事。凡例和楔子两者之间,看似截然不同,一个是说明文字,一个是进入小说的情节,其实,两者之间是紧密衔接、水乳相融的关系,楔子实际上是凡例所提出问题的形象化解答,即以故事的形式表达:谁是此书的真正作者,这本书的写作史历程如何。
A Dream of Red Mansions contains another deep story about the author and his writing background under the superfical narration.The introduction seems so different from the wedges,for the former is a written description,while the later is the entry into the plot of the novel.In fact,the two are closely connected.A wedge is actually a visual solution to a common problem.Namely,it is expressed in the form of a story:who is the real author of this book and how does the creation progess?
作者
木斋
MU Zhai(Institute for Advanced Studies in Humanities and Social Sciences,Chongqing University,Chongqing 400044,China)
出处
《燕山大学学报(哲学社会科学版)》
2021年第1期33-38,共6页
Journal of Yanshan University:Philosophy and Social Science
基金
安徽省哲学社会科学规划项目“文化自信视野下的现代平民儒学研究”(AHSKYG2017D129)阶段性成果。
关键词
《红楼梦》
双重叙事结构
凡例
楔子
A Dream of Red Mansions
Dual narrative structure
intruction
wedge