摘要
2020年,是中国高等院校玻璃艺术专业发展的第20个年头,在过往的20年中,"玻璃"逐渐从一种生产材料的本体属性转化为艺术创作的表现媒介,"玻璃艺术"从无到有,不仅促进了玻璃文创产业巨大增长,更是促进了玻璃美学理念的整体提升。中国美术学院正是在这个跨越的时代中,抓住历史的机遇,为中国当代玻璃艺术的发展作出了重大贡献,它既是中国玻璃艺术的拓荒者,又是玻璃人文美学的传播人,更是手工艺术教学改革的推动力,其在玻璃艺术教学体系的探索上发挥了重要作用。
This paper focuses on the direction of cultivating innovative talents in art colleges of China and discusses the reform practice of teaching flat glass in glass art through the adjustment and combing of the curriculum outline.From the transformation of oriental aesthetics,the contemporary thinking of design language,the innovative expression of design thinking and other dimensions,this course demonstrates the thinking of education reform and shows its concrete reform results,providing effective case support for practicing the characteristic development of the discipline system of handicraft art in the new era.
出处
《上海工艺美术》
2020年第4期42-45,共4页
Shanghai Arts & Crafts
基金
浙江省重点高校建设/四通/双万建设/校级教改项目成果
中国美术学院省级一流专业“工艺美术”建设阶段性成果。
