摘要
人类造物中的审美行为既存在某些一致性,又更多地体现为差异性,这使得造物审美语义存在鲜明的东西方差异,此为其一。不同于传统匠作造物的订制化生产形式,现代造物的大规模集约化生产,加上数字化、智性化造型设计手段的引入,使得古今造物的形式与美学理念产生了剧烈的代沟,即传统与现代造物审美的断裂与相互疏离,此为其二。
This article discusses about the possibility of inheritance and integration,response and interaction between"aesthetics of Chinese traditional creation"and"digital modeling approach",and conceives a new design semantics blending digital intelligence and classical elements in one.This paper intends to adjust and integrate the above two differences,expands contemporary design semantics with traditional cultural context,and responds to traditional aesthetic characteristics with contemporary design semantics.
出处
《上海工艺美术》
2020年第4期92-94,共3页
Shanghai Arts & Crafts
基金
中国美术学院院级课题研究成果,课题名称:传统造物审美语境下的数字化产品语义研究,课题编号:YB2018009。