雕花天鹅绒的造型美学

Brief Analysis for Modeling Aesthetics of Carved Velvet

每种艺术的创作都有自己的专属语言,例如色彩是油画的,水墨是国画的。在雕花天鹅绒的设计中,手艺人为了保留中国传统文化气质,结合了西方造型观念以及中国传统美学,在观念意向上有着多维度的拓展与构建。它以刀代笔,用刀雕割绒圈,最终形成绒毛和绒圈相间的花纹,在光线对绒圈和绒毛的反射作用下,花纹和织地相互映衬、时隐时现,有独特的柔和光泽和特有的明暗交替。虽然雕花天鹅绒只用一种颜色的明暗变化去表现图案,因对图案的设计构想须在面料能提供的可能性范围之内而受到一定的材料限制,但手艺人可以通过自己有限的工具,表现出无限的空间,就好比音乐家,用仅有的七个音符,创作出传世的乐章。

In design process of carved velvet,in order to retain the Chinese traditional cultural quality,the craftsmen combine Western modeling concept and traditional Chinese aesthetics,and carry out multi-dimensional expansion and construction in terms of conceptual intention.With knife instead of brush as a tool,the craftsmen carve woolen loop with knife and finally form a wonderful pattern of intertwined fluff and loop.