摘要
姚孔[钅闰]是康乾时期的布衣诗人,出生于桐城麻溪姚氏,因英年早逝及一生未仕的原因,其诗名并不显于当时。不过,姚孔[钅闰]以诗书写怀抱,“嗟哉志空抱”成为其诗歌创作的主要内容;与此相应,凄怨低沉亦成其诗歌艺术表现之一端,个性较为鲜明。不仅如此,姚孔[钅闰]之诗与诗坛风会每见契合,表现为受时代风潮影响而运行的创作路径,在一定程度上反映了康乾诗坛发展的走向。
Yao Kongrun was a Buyi poet in the Ganlong period.He was born in Yao,Ma Xi,Tongcheng.However,Yao kongrun can write his poems in his bosom,and“jie zai zhi kong bao”has become the main content of his poetry creation.Moreover,that Yao Kongrun’s poetry met the popular style of the poetic circle,performing as the creative path being affected by the trend of the times,to a certain extent,reflected the development trend of Kanggan’s poetry.
作者
温世亮
WEN Shi-liang(School of Literature,Shantou University,Shantou,Guangdong 515063)
出处
《汕头大学学报(人文社会科学版)》
2020年第8期5-10,94,共7页
Journal of Shantou University(Humanities and Social Sciences Edition)
基金
国家社科基金一般项目“桐城麻溪姚氏家族与清诗发展嬗变研究”(17BZW117)。
关键词
康乾诗坛
姚孔[钅闰]
诗心
艺术表现
诗史意义
Kanggan Poetry Circle
Yao KONGRUN
Poetic Heart
artistic expression
contemporaneity