论词人择调与审美联想

On Ci-Poets’Choice of Tunes and Aesthetic Association

词调是华夏民族文学的重要语码,凝聚着华夏民族文学的审美心理,大多数词调能引起优美的联想。词人作词时,他们对词调的审美联想会影响到对词调的选择。词调在声、色两方面如表现出美听和直观的特色,会乐于为受众接受,并有可能成为词作量较多的词调。词调中经常出现的改名现象,并非无意义的行为,而是审美心理的诉求与表达,有些词调改名后,会导致该调创作的兴盛。词调的审美观念在历史的长河中是流动不居的。词调审美是词学研究的重大任务,因为词调是词体的核心要素。

The tunes of Ci-poetry are important codes of Chinese literature,embodying the aesthetic psychology of national literature. The vast majority of the tunes of Ci-poetry can evoke associations with grace and beauty. When Ci-poets create Ci,their aesthetic associations concerning the tunes of Ci tend to influence their choice of tunes. Furthermore,when the tunes of Ci-poetry give strong expressions relating to color and sound,such as acoustic beauty and intuitive features,they are more readily accepted by the audience,leading to a greater output of these tunes. The frequent renaming of tunes is a deliberate expression of aesthetic psychology,rather than a behavior devoid of meaning. Some tunes would flourish after renaming. The aesthetic concept of tunes never remains constant in the sweep of history. The aesthetics judgment of tunes of Ci-poetry is an important mission in Chinese Ci study,as the tunes of Ci-poetry are the core element of Ci-literature.