期刊文献+

桌面电影:跨媒介生产与电影本体外延 被引量:1

Screenlife Movies:Cross-media Production and the Extension of Film Noumenon
下载PDF
导出
摘要 桌面电影是依托于互联网文化和新媒体技术的媒介融合产物,带给观众全新的观影体验和深层思考,在短时间内引起学术圈的热议。其以实验片的形式对传统电影美学、视听语言、叙事空间、创作手段以及叙事逻辑等方面进行了颠覆性实践探索,具有启示意义,但创新背后隐藏着不可持续发展的危机。 Screenlife movies are the product of media integration relying on Internet culture and new media technology,which brings the audience a brand new movie-watching experience and deep thinking,and arouses hot discussion in academic circle in a short time.In the form of experimental films,it makes a subversive practical exploration in different aspects of traditional film aesthetics,audio-visual language,narrative space and narrative logic.It is of enlightening significance,but behind the innovation,there is a crisis of unsustainable development.
作者 董渤 DONG Bo
出处 《浙江艺术职业学院学报》 2020年第3期53-57,共5页 Journal of Zhejiang Vocational Academy of Art
关键词 桌面电影 网络谜踪 跨媒介 空间生产 screenlife movie Searching cross-media production of space
  • 相关文献

参考文献3

二级参考文献20

  • 1阎嘉.后现代语境中的西方新马克思主义理论——兼评戴维·哈维的后现代理论[J].西南师范大学学报(人文社会科学版),2005,31(1):151-154. 被引量:13
  • 2McMillan, Chris. Zizek and Communist Strategy: On the Disavowed Foundations of Global Capitalism. Edinburg: Edinburgh UP, 2012.
  • 3Taylor, Paul. Zizek and the Media. Cambridge, MA: Polity, 2010.
  • 4Wood, Kelsey. Zizek: A Reader's Guide. Hoboken: John Wiley & Sons, 2012.
  • 5Zizek, Slavoj. Did Somebody Say Totalitarianism: Five Interventions in the (Mis) use of a Notion. Lon- don: Verso, 2001.
  • 6Zizek, Slavoj.For They Know not What They Do: Enjoyment as a Political Factor. London: Verso, 1991.
  • 7Zizek, Slavoj.Living in the End Times. London.. Verso, 2010.
  • 8Zizek, Slavoj.Looking Awry: An Introduction to Jacques Lacan through Popular Culture. Cambridge, MA.. MIT, 1992.
  • 9Zizek, Slavoj.On Belief. London: Routledge, 2001.
  • 10Zizek, Slavoj. Organs without Bodies: On Deleuze and Conse- quences. London.. Routledge, 2004.

共引文献37

引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部